19 April – 18 June 2011


What do the objects you own mean to you?


Over an eight week period, Oriel Myrddin Gallery invites four artists; Carwyn Evans, Peter Finnemore,

Becky Adams and Jools Johnson to occupy the gallery space with special objects that evoke intruiging stories.


Using objects both personal and particular and a spirit of experiment and happen-stance, each of this artist-led series will develop differently. Visitors and community groups will engage with each of the stages in order to explore the stories, history, memory and associations of objects.


www.orielmyrddingallery.co.uk

Showing posts with label Peter Finnemore. Show all posts
Showing posts with label Peter Finnemore. Show all posts

Monday, 23 May 2011

Tangled Parrot's Welsh Mix

Here is a link from Tangled Parrot's Matt and Iwan of the mix of Welsh music they played at Peter Finnemore's Groove Disco on 13th May. Thanks again for their enthusiastic participation - bendigedig!

Sunday, 22 May 2011

Sunday, 15 May 2011

Disco Groove

Peter Finnemore

























Friday night was disco night at Oriel Myrddin! Peter Finnemore played a set from his collection of Welsh 1960's and 70's vinyl and Matt and Iwan from The Tangled Parrot, a new music venue, cafe/bar and record shop just around the corner in King Street, played a Welsh themed set including more contemporary music. Great fun had by all - thanks to all who came along!


Wednesday, 11 May 2011

Groove...

Perlau yn y parc yn Ynghaerfyrddin...

























There are some fantastic images in Peter Finnemore's show Groove. His collection of Welsh related 45 rpm vinyl is on display until 4 June. Here's a few covers just to whet your appetite.



Wednesday, 4 May 2011

The vinyl bones of a nation...


Photo: Gareth Hugh Davies




















"I’ve been collecting 45 rpm vinyl records for many years, the criteria for my collection is that each individual record is culturally specific to Wales. This is an archive of kitsch imagery and popular song, democratic and inclusive of all musical styles. The majority collected because of the details within the record cover photographs and back cover text rather than for the musical content or style. The photographs are rich in historic detail about people and portraiture, landscape and place. Some are surreal and strange. Personal favourites include: Y Pelydrau, windswept and cheerful, stockined legs with optical illusion skirts posing on Trawsfynydd Lake with the nuclear plant directly behind them. Yr Awr, floral dressed 70’s heartbreakers posing on Swansea train station. Y Pedwar Caballero, 4 badass Mexicano farmers from Caernarfon “Their record brings a new sound to the Welsh ‘pop’ scene. Here is an attempt to unite rhythmic ballads with songs to which one can dance”. 

These packaged artefacts are cultural relics, archaeological markers of cultural history. Iorwerth Peate founder of St Fagans would approve of their redefined status as vernacular folk art. They are preserved time capsules, unselfconscious folk art that reveal an era of yearning to express cultural identity and to celebrate Welshness. Nostalgia, the naïve, innocence, the idiosyncratic, passion and celebration of amateur values are all here. The records are full of living history with personal and group biography, stories, dreams, hopes and fears. They become triggers for memory and emotion. This grouping becomes an historical archive delineating a cultural period between Jac a Will (circa 1958) until the late 70’s. The musical themes and lyrics express the cultural values of the nation. A cultural shift takes place from conformist values; the nostalgic and sentimental - celebration of nation, land, family, community and bible, to a bold and confident political, individualistic, self expressive and psychedelic themes as sung by Huw Jones, Dafydd Iwan, Heather Jones, Tebot Piws and Meic Stevens. Music in Wales as evidenced here is expansive in style, form and expression. It is a plural and multicultural activity with Paul Robeson, Iris Williams and Shirley Bassey contributing to the Welsh musical tradition. This installation is about modernism in a specific cultural and marginal context. Telepops Y Cymro is about Wales becoming modern and expressive. Here are the vinyl bones of a nation singing for its survival and with open voice singing itself into existence and self-awareness." Peter Finnemore May 2011

Tuesday, 3 May 2011

Peter Finnemore: Groove

Peter Finnemore in the gallery today





















Artist, Peter Finnemore has been with us in the gallery today hanging the second part in the Project Object series of shows, Groove. We're delighted that Peter, who lives near Llanelli in Carmarthenshire, is delving into his collection of Welsh related 45 rpm vinyl records to exhibit in the gallery. The collection has been underway since the 1980's and the focus is mostly on the 1960's and 70's. Peter sees these records as democratic markers of cultural history, as ‘vinyl bones’, and as vernacular folk art; many of them relate specifically to Carmarthen. 

Throughout the day, we've been treated to gems from the collection on an original Dansette record player (thanks to artist, Jacob Whittaker for loaning it for the duration of the show).